I love storytelling! In fact, The idea of someone spinning a great yarn, gathering everyone’s attention and holding onto it, taking the listener through highs and lows, surprising them, wringing them out, and getting them to the end of the story, exhausted and exhilarated–there’s something truly wonderful about that. And the fact that it’s been happening since language was invented makes it a grand tradition. (In fact, I’m pretty certain storytelling is the World’s Second Oldest Profession, as folks enhanced their experiences with the Oldest Profession.)
When I was a kid, everyone wanted to ride to school in our car, because a little man named Bertram lived under the seat. In fact, my father, who is one of the great oral storytellers of all time, had all the children so captivated (and often in stitches) with Bertram’s stories, that it was nearly impossible to empty the car when we arrived at Wildwood Elementary.
Radio dramas played into this tradition. I would have loved to live in the early part of the 20th century and have the opportunity to huddle in the living room with friends and family to listen to “The Shadow” or “War of the Worlds,” where all you have is a voice and the listener’s imagination.
So, for me, audio books have become the modern day equivalent. When they were first gaining popularity, on CDs and cassettes, our friend Mary Ann put one on in the Jeep as she drove into town to run errands. She was so surprised by the erotic turn of events that she ran through a stop sign. I guess that’s the sign of a good narrator.
For years, I worked as a book abridger for Harper Audio, and it was a fantastic education. It was like learning how to perform surgery on books; recognizing all the layers, and knowing how to peel them back, excise what needed excising, and put them together again. (It also, hopefully, made me a leaner writer.) Not every book merits abridging–in fact, I bought an abridged version of one of my favorite 600-page tomes to discover that they’d taken out all the good parts. But some books are actually strengthened by a good abridgment (and probably should have been better edited from the get-go). And yes, I have had this argument with Stephen King.
One thing I learned at Harper was how grueling it is to record a book. Seriously, when my kids were little, I was running out of steam my third time through Good Night, Moon. But voice artists would come into the Harper studio and read for two or three days solid. With inflection and voices, and never losing energy. God bless them!
When we found out that CHASING EDEN, the first of the Eden Thrillers was going to be made into an (unabridged) audio book, we were excited. It was like joining the millennium of storytelling through the ages. I will post again, telling about the process of turning a print book into an audio book. (And no, we didn’t use David Tennant. Didn’t even think to ask.) It was indeed a journey: finding the right narrator, working with her to find the right character voices and narration tone, and remembering again a book we wrote 7 years ago. When words are spoken, you hear them in a different way than when they’re seen on the printed page. (And I realized that, for Jaime, the fact that “none of this made any sense,” was a theme through the book.)
But it was great fun. Our main characters, Jaime and Yani, were so much younger then.WE were so much younger then! In CHASING, the first book, Barb had to write all the military dialogue, because I was not fluent in Acronym-speak at all. It was fun, going back to the Indiana-Jones-with-a-theology-degree feel of racing through Iraq, through Ur and Babylon and Baghdad and the Southern Swamplands. Describing the halls of the Iraq Museum and the walls of the various eras of Babylon and the bricks of the Ziggurat at Ur. Seeing the horrific effect of Saddam’s draining of the Southern Swamplands, and how they were slowly re-irrigated. Being able to discuss (and pronounce) the Transflandrian Transgression. Of remembering when Jaime first met Yani, and the immediate effect they each had on the other. Seeing that gorgeous Dagger of Ur. (In fact, had tears running down my face when I saw the replica in the British Museum. (Much the way I did when I saw Princess Kaiulani’s peacock hat in the museum in Hulihe’e Palace. But that’s a different story.)
There’s been a lot of talk about creationism-versus-evolution lately, with the Cosmos show on television. I rest happy in knowing that we provided an alternate ending. So, thanks for bringing the story to life in a new way, Kristina. I’d sit around your fire any night!
So, if you’re curious, feel free to click on the Chasing Eden cover above and listen to a free excerpt from the audio.